Tag Archives | Studio

The Lazy Engineer’s Guide to Mastering

If mixing is an art, then mastering is voodoo magic. Mastering is often considered this taboo thing. Everybody knows that it needs to be done, but no one is quite sure how to do it. It supposedly makes your song sound better and louder, but for some reason you need a specialist that is sensitive and experienced in hearing all the nuances of your mix instead of doing it yourself.

Well, that might be true and all, but that doesn’t mean you can’t do it yourself.

Mastering engineers have a different perspective than you. They also have different equipment and a different listening room. That’s why it’s always a good idea to give an experienced mastering engineer your mixes. However, if you are in a pinch – or are just plain lazy – then mastering your own work can be done easily.

The following guide is not intended as a substitute for real mastering. It’s good to know what to do if you want to give your mixes that mastered feel. Follow these steps if you are producing your own song demos to be heard online or want to impress your clients with a loud mix.

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Why You Should Use Metering Tools while Mixing and Mastering

Last AES convention I met a manufacturing rep for a very prestigious equipment company. He was demoing a piece of equipment for me, showing me all the great knobs and buttons that it had to offer. Then he said something along the lines of, “We don’t include a screen for these things since you’re supposed to mix with your ears.” That’s when I took my exit stage left. I think imposing a viewpoint like that is just plain wrong.

Obviously, you’re supposed to mix with your ears, but I don’t think looking at meters is going to destroy your mix.

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Audio

Calzo & Six Impossible Things Live In Thailand 2011

Listen to a 7 minute preview from my set live in Bangkok on the Six Impossible Things tour 2011. You can also download the preview from the discography page for free!

Play or download on Soundcloud

Live In Bangkok 2011 – Six Impossible Things & Calzo Houdini by CalzoHoudini

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The Role of The Studio Producer

The producer has a job that consists of many roles. Some of them happen in the studio, and some of them don’t. I’m going to spend a few articles talking about the various roles in the studio and what to expect from those fulfilling them. These aren’t going to be job descriptions; we’re going to look at the interactions that take place in the studio environment and how to make the most of them.

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Frequencies – You better recognise!

Working in studios with different producers and engineers you will no doubt hear varied slang terms for audio frequencies.

We know that each frequency has its own specific sound, and many times we use slang such as boom, whack, or sheen to illustrate our meaning further. It’s easier to say things like, “Can I get a little bit more air on those cymbals?” instead of saying “Can I get a little high frequency shelving boost at around 12Khz?” It sounds cooler, and makes communication easier.

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